She was 89.
Although Russell largely retired from Hollywood after her final film, 1970's "Darker Than Amber", she had remained active in her church, with charitable organizations, and with a local singing group, until her health began to decline just a couple weeks ago, said her daughter-in-law, Etta Waterfield.
She died at her home in Santa Maria.
"She always said, "I'm going to die in the saddle, I'm not going to sit at home and become an old woman"," Waterfield told The Associated Press.
"That's exactly what she did, she died in the saddle."
Howard Hughes, the eccentric billionaire, put her onto the path to stardom when he cast her in, "The Outlaw", a film he fought with censors for nearly a decade to get into wide release.
With her sultry look and glowing sexuality, Russell became a star before she was ever seen by a wide movie audience.
The Hughes publicity mill ground out photos of the beauty in low-cut costumes and swim suits, and she became famous, especially as a pinup for World War II GIs.
Then in 1948 she starred opposite Bob Hope in the box-office hit, "The Paleface", a comedy-western in which Russell was tough-but-sexy Calamity Jane to Hope's cowardly dentist.
Although her look and her hourglass figure made her the subject of numerous nightclub jokes, unlike Marilyn Monroe, Rita Hayworth, and other pinup queens of the era, Russell was untouched by scandal in her personal life.
During her Hollywood career, she was married to star UCLA and pro football quarterback, Bob Waterfield.
"The Outlaw", although it established her reputation, was beset with trouble from the beginning.
Director Howard Hawks, one of Hollywood's most eminent and autocratic filmmakers, rankled under producer Hughes' constant suggestions, and finally walked out.
"Hughes directed the whole picture — for nine bloody months!" Russell said in 1999.
The film's rambling, fictional plot featured Russell as a friend of Billy the Kid as he tussles with Doc Holliday and Sheriff Pat Garrett.
It had scattered brief runs in the 1940s, earning scathing reviews.
The Los Angeles Times called it "one of the weirdest Western pictures that ever unreeled before the public".
But Hughes made sure no one overlooked his No. 1 star.
The designer of the famous "Spruce Goose" airplane used his engineering skills to make Russell a special bra (which she said she never wore) and he bought the ailing RKO film studio to turn it into a vehicle for her.
Wisely, he also loaned her to Paramount to make "The Paleface", because at RKO she starred in a series of potboilers such as "His Kind of Woman" (with Robert Mitchum), "Double Dynamite" (Frank Sinatra, Groucho Marx), "The Las Vegas Story" (Victor Mature), and "Macao" (Mitchum again).
Hughes had rewarded her with a unique 20-year contract paying $1,000 a week, then he sold RKO and quit making movies.
Russell continued receiving the weekly fee, but never made another film for Hughes.
Her only other notable film was "Gentlemen Prefer Blondes", a 1953 musical based on the novel by Anita Loos.
She and Monroe teamed up to sing "Two Little Girls From Little Rock", and seek romance in Paris.
At a 2001 film festival appearance, Russell noted Monroe was five years younger, saying, "It was like working with a little sister."
She followed that up with the 1954 musical, "The French Line", which like "Gentlemen Prefer Blondes" had her cavorting on an ocean liner.
The film was shot in 3-D, and the promotional campaign for it proclaimed "J.R. in 3D.
"Need we say more?"
In 1955, she made the sequel "Gentlemen Marry Brunettes", without Monroe, and starred in the Westerns "The Tall Men", with Clark Gable, and "Foxfire", with Jeff Chandler.
By the 1960s, her film career had faded.
"Why did I quit movies?" she remarked in 1999.
"Because I was getting too old!
"You couldn't go on acting in those years, if you were an actress over 30."
She continued to appear in nightclubs, television, and musical theater, including a stint on Broadway in Stephen Sondheim's "Company".
She formed a singing group with Connie Haines and Beryl Davis, and they made recordings of gospel songs.
For many years she served as TV spokeswoman for Playtex bras, and in the 1980s, made a few guest appearances in the TV series "The Yellow Rose".
She was born Ernestine Jane Geraldine Russell on 21 June 1921, in Bemidji, Minn., and the family later moved to the San Fernando Valley in Los Angeles.
Her mother was a lay preacher, and she encouraged the family to build a chapel in their back yard.
Despite her mother's Christian preachings, young Jane had a wild side.
She wrote in her 1985 autobiography, "My Paths and Detours", that during high school she had a back-alley abortion, which may have rendered her unable to bear children.
Her early ambition was to design clothes and houses, but that was postponed until her later years.
While working as a receptionist, she was spotted by a movie agent who submitted her photos to Hughes, and she was summoned for a test with Hawks, who was to direct "The Outlaw".
"There were a lot of other unknowns who were being tested that day," she recalled in a 1999 Associated Press interview.
"I figured Jack Beutel was going to be chosen to play Billy the Kid, so I insisted on being tested with him."
Both were cast, and three months would pass before she met Hughes.
The producer was famous for dating his discoveries, as well as numerous Hollywood actresses, but his contract with Russell remained strictly business.
Her engagement and 1943 marriage to Waterfield assured that.
She was the leader of the Hollywood Christian Group, a cluster of film people who gathered for Bible study and good works.
After experiencing problems in adopting her three children, she founded World Adoption International Agency, which has helped facilitate adoptions of more than 40,000 children from overseas.
She made hundreds of appearances for WAIF and served on the board for 40 years.
As she related in, "My Path and Detours", her life was marked by heartache.
Her 24-year marriage to Waterfield ended in bitter divorce in 1968.
They had adopted two boys and a girl.
That year she married actor Roger Barrett; three months later he died of a heart attack.
In 1978 she married developer John Peoples, and they lived in Sedona, Ariz., and later, Santa Barbara.
He died in 1999 of heart failure.
Over the years, Russell was also beset by alcoholism.
Always she was able to rebound from troubles by relying on lessons she learned from her Bible-preaching mother.
"Without faith, I never would have made it," she commented a few months after her third husband's death.
"I don't know how people can survive all the disasters in their lives if they don't have any faith, if they don't know the Lord loves them and cares about them and has another plan."
Survivors include her children, Thomas K. Waterfield, Tracy Foundas, and Robert "Buck" Waterfield, six grandchildren, and 10 great-grandchildren.
A public funeral is scheduled 12 March at 11 a.m. at Pacific Christian Church in Santa Maria.
In lieu of flowers the family asks donations be made in her name to either the Care Net Pregnancy and Resource Center of Santa Maria, or the Court Appointed Special Advocates of Santa Barbara County.
___
Associated Press Writer Bob Thomas contributed to this story.
*************************************
Jane Russell...
AKA Ernestine Jane Geraldine Russell
Born: 21-Jun-1921
Birthplace: Bemidji, MN
Died: 28-Feb-2011
Location of death: Santa Maria, CA
Cause of death: Respiratory failure
Gender: Female
Religion: Born-Again Christian
Race or Ethnicity: White
Sexual orientation: Straight
Occupation: Actor, Activist, Singer
Nationality: United States
Executive summary: Gentlemen Prefer Blondes
To star in The Outlaw, his epic story of cleavage in the old west, Howard Hughes conducted a nationwide search for an actress with the necessary screen presence.
He found Jane Russell, who had been working as a receptionist.
Her father was an office manager for Jergens Soap, her mother taught elocution, but had once been a stage actress, and Russell yearned to be a performer herself.
There had been previous icons of sexuality, but the beautiful, well-endowed, and photogenic Russell may have been the first woman sought out and hired specifically to be a sex symbol.
Hughes had his engineers design a seamless underwire brassiere, a breakthrough in bra science to lift Russell's 38-D breasts, leaving no visible support lines to interrupt the under-blouse contour of her bosom.
It was the first practical "lift and separate" push-up bra, but Russell later said she did not wear the uncomfortable contraption during filming.
Instead she wore her own bras, adding a layer of tissue paper over the cups to eliminate unsightly support lines.
Hughes, despite directing the picture himself, never knew the difference.
Completed in 1941, The Outlaw was unable to pass muster with the Hays Code.
A legacy of Will H. Hays, one-time chairman of Republican Party and the first president of the Motion Picture Association of America (MPAA), "the code" was written to enforce morality in Hollywood movies.
It stipulated, for example, that there be no nudity, no vulgar language, and dramatizations of bad behavior from adultery to illegal drugs to any form of criminality had to be followed in the plot by an appropriate 'punishment'.
There was no explicit rule against cleavage and jiggling, but The Outlaw obviously starred Russell's breasts, so the required certificate of approval was denied, effectively blocking the movie's release.
Hughes, a millionaire unaccustomed to hearing the word "No", released the movie in defiance of the code in 1943, but under heavy pressure few cinemas were willing to book it, and the film was almost immediately withdrawn.
After several more years of bickering between Hughes and the censors, The Outlaw was released to a few theaters in 1945 and 1946, eventually reaching smaller cities for its first screening as late as 1950.
As an actress, especially an actress with no experience, Russell's performance was adequate, and the controversy ensured the film's financial success.
As entertainment, The Outlaw has not passed the test of time.
Co-starring Thomas Mitchell and a pre-wrinkled Walter Huston, it is a rather boring black-and-white western, notable mostly for so many scenes of Russell bending over or bouncing, as she rode a horse.
Russell's contract was owned by Hughes through much of her career, and he squandered her talent in many forgettable films.
When given the chance, though, Russell could shine on-screen.
Her first non-controversial acclaim came when Ginger Rogers was unavailable to play Calamity Jane in The Paleface opposite Bob Hope.
Russell stepped in and showed sharp comedic talents, and the film was the funniest send-up of westerns until Blazing Saddles.
She later starred twice with Robert Mitchum, in the excellent gangster drama His Kind of Woman and the sultry smuggling thriller Macao, and she re-teamed with Hope for the well-received sequel Son of Paleface.
Of course, Russell's best work and biggest hit came in Gentlemen Prefer Blondes with Marilyn Monroe.
The movie is remembered for its perfect presentation of Monroe's sexy screen persona, but Russell matched her, tit for tat, as best friend Dorothy Shaw, the been-around-the-block brunette.
Based on the novel by Anita Loos, the husband-hunting story had been filmed as a silent comedy in 1928, then made into a musical for Broadway in 1949, but Russell's show-stopping song, "Ain't There Anyone Here For Love" was written just for her by Hoagy Carmichael.
Strutting through the ship's exercise room while men glistening with sweat worked out all around her, she sang, "I like big muscles, and red corpuscles, I like a beautiful hunk of man..."
It might just be the sexiest musical number in Hollywood history.
Russell had success as a singer, beginning in the late 1940s, when, between film jobs, she was a frequent headliner at the Latin Quarter Club, in Miami Beach.
She often sang on Kay Kyser's popular radio broadcasts, and in the mid-1950s she toured in all-woman trios and quartets she organized herself, often alongside her friend, Rhonda Fleming.
In Son of Paleface, she sang a trio of "Am I in Love?" with Hope and Roy Rogers, and the song was Oscar-nominated.
Russell first appeared on the charts in 1950 when her duet of "Kisses and Tears" with Frank Sinatra, from Double Dynamite was released as a single, and later the soundtrack for Gentlemen Prefer Blondes made it into the Top 10.
She also recorded several albums of Christian music.
In 1954, Russell was again embroiled in MPAA squabbles over The French Line, a gaudy musical co-starring Gilbert Roland.
It offered what was then called "vulgar" humor, with a bubble bath scene and "Lookin' for Trouble", a suggestive number Russell sang while dancing a hootchy-kootchy, and wearing very little.
Furthermore, The French Line was filmed in 3-D, causing audiences to lean back in their chairs every time Russell turned toward the camera.
Condemned by the Catholic Legion of Decency, the movie ran an hour and forty-two minutes, but many theater owners snipped away as many as twelve minutes of footage fearing it might offend local morality.
As a result, most audiences wondered what the fuss was about, and the box office fizzled.
In 1955 she starred with Jeanne Crain but without Monroe in an unnecessary sequel Gentlemen Marry Brunettes, and in 1957 she wore The Fuzzy Pink Nightgown, an amusing comedy with Keenan Wynn, about a kidnapped movie star falling in love with her kidnapper.
Her movies, though, were not finding an audience, and Russell disappeared from films and returned to nightclub singing.
She served as TV spokeswoman for Lustre Creme shampoo, appeared in a few pictures in the 1960s, and made her last big-screen appearance in 1970 with a supporting role in Darker Than Amber, a now-forgotten but really quite good action movie with Rod Taylor.
Russell had a long run on Broadway, replacing Elaine Stritch in the musical Company, and appeared in TV commercials in the 1970s for the Playtex Cross-Your-Heart Bra, describing its structural advantages for "full-figured gals".
When she was 19, unmarried and pregnant, young Russell needed an illegal abortion, but it was clumsily performed, leaving her unable to bear children.
With her first husband, she adopted and raised a daughter and two sons, but the wait and paperwork for their adoptions had taken several years, and after that, Russell spent much of her off-screen time working to make adoption easier.
In 1952, she founded the World Adoption International Fund (WAIF), a group which eventually facilitated more than 50,000 adoptions.
She testified before Congress in support of the Federal Orphan Adoption Bill in 1953, which allowed children fathered by American troops abroad to be adopted by American parents.
In 1980, she was at the forefront of the lobbying effort for the Adoption Assistance and Child Welfare Act, which provides reimbursement for eligible foster and adoptive parents, and financial assistance for the additional costs incurred with adopting handicapped children.
Her first husband was her high school sweetheart, Bob Waterfield, who earned his fame as star quarterback of the Cleveland Rams.
Waterfield threw two touchdown passes as Cleveland defeated the Washington Redskins 15-14 in the 1945 NFL Championship Game, later coached the team after its move to Los Angeles, and he was inducted into the Pro Football Hall of Fame in 1965.
Russell and Waterfield were married for 25 years, before she divorced him in 1967.
Her second husband was Roger Barrett, a stage actor who had appeared with Russell in a summer stock play.
They were married only three months before he suffered a heart attack and died, reportedly in the throes of passion with Russell.
Her third husband was a real estate broker, John Calvin Peoples, again the marriage lasted 25 years, until his passing in 1999.
After her last husband's death, Russell found herself a little lonely and missing the limelight, so she organized a few un-famous friends as her back-up band and began singing in a local Mexican restaurant.
After a year and a half at the restaurant her un-advertised performances needed a larger venue, and the eighty-something star took her show to an airport hotel in Santa Maria, California.
At last word, Russell still performed there, twice monthly.
Father: Roy William Russell (office manager, Jergins Soap, d. 1937 gallstones)
Mother: Geraldine Jacobi (elocution teacher)
Brother: Thomas Russell (b. 1924)
Brother: Kenneth Russell (b. 1925)
Brother: Jamie Russell (b. 1927)
Brother: Wallace Russell (b. 1929)
Boyfriend: Howard Hughes (batty billionaire, dated 1940-41)
Boyfriend: Jorge Guinle (Brazilian millionaire, b. 1916, together early 1940s, d. 2004 aortic aneurysm)
Husband: Bob Waterfield (football player, b. 26-Jul-1920, m. 24-Apr-1943, div. Jul-1968, d. 1983, three adopted children)
Daughter: Tracy (b. 1952, adopted 1952 with Waterfield)
Son: Tommy Kavanaugh (b. 1951, adopted 1952 with Waterfield)
Son: Robert John "Buck" (b. 1956, adopted 1956 with Waterfield)
Husband: Roger Barrett (actor, b. 1921, m. 25-Aug-1968, d. 18-Nov-1968 heart attack)
Husband: John Calvin Peoples (b. 1925, m. 31-Jan-1974, d. Apr-1999)
Boyfriend: Jorge Guinle (d. 2004)
High School: Van Nuys High School, Van Nuys, CA (1939)
RKO Radio Pictures under contract
TheVanguard.Org Board of Advisors
Hollywood Walk of Fame 6840 Hollywood Blvd.
Endorsement of Liggett Group Chesterfield cigarettes (1942-48)
Risk Factors: Smoking, Alcoholism
FILMOGRAPHY AS ACTOR
Darker Than Amber (14-Aug-1970)
The Born Losers (18-Aug-1967)
Waco (25-Jun-1966)
Johnny Reno (9-Mar-1966)
Fate Is the Hunter (16-Oct-1964) Herself
The Fuzzy Pink Nightgown (Aug-1957)
The Revolt of Mamie Stover (11-May-1956)
Hot Blood (Mar-1956)
Gentlemen Marry Brunettes (29-Oct-1955)
The Tall Men (5-Oct-1955)
Foxfire (13-Jul-1955)
Underwater! (9-Feb-1955)
The French Line (8-Feb-1954)
Gentlemen Prefer Blondes (15-Jul-1953)
Road to Bali (19-Nov-1952)
Montana Belle (7-Nov-1952)
Son of Paleface (14-Jul-1952)
Macao (30-Apr-1952)
The Las Vegas Story (1-Jan-1952)
Double Dynamite (25-Dec-1951)
His Kind of Woman (29-Aug-1951)
The Paleface (24-Dec-1948)
Young Widow (4-Mar-1946)
The Outlaw (5-Feb-1943)
Modern Screen, Sep-1956, DETAILS: Jane Russell's Teenage Escapades























